Weed Porn Meets Nature Porn on This Intoxicating Instagram Account
This article was published by VICE's Creators Project on April 3rd, 2017, and can be found here, along with the accompanying photos.
"Take only photos, leave only footprints," says @Whereyousmoke. And don't forget to take the roach home with you!
Even the simplest landscape is elevated when you are also, well, elevated. Exceptional Instagram account @whereyousmoke merges dope views with the smokable stuff, posting gorgeous photos of exotic locales with spliffs in the foreground. The account was started by an LA artist who wishes to remain anonymous, but he tells Creators that the National Geographic-esque shots are all about the "grass-roots exploration" that comes from "being able to share moments with smokers all around the world."
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Kate Moss’s Most Iconic Outfits Get Illustrated by 30 Artists
This article was published by VICE's Creators Project on April 3rd, 2017, and can be found here, along with the accompanying photos.
Nick Knight commissioned 30 illustrations to interpret the model's favorite runway looks for 'Moving Kate' at London’s SHOWstudio.
Few things remain as timelessly chic as Kate Moss. Representing the best that fashion has to offer—style, charisma, drama, and top-notch cheekbones—Moss is an emblem of seemingly untouchable cool. Her face has graced runways and campaigns for everyone from Calvin Klein and Alexander McQueen to Dior and Supreme. And although she is best known for being photographed, a new exhibition at SHOWstudio in London transforms the model's iconic runway moments into evocative paintings and illustrations by well-known artists. Organized by renowned photographer Nick Knight, Moving Kate is a collection of 30 different artworks interpreting Moss's extensive body of work and celebrating her longstanding creative partnership with SHOWstudio.
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"Millennials Don't Suck," At Least Not According to This Podcast
This is an article published by the Creators Project on February 18, 2017, and can be found here.
Ari Andersen and Matthew Little’s titular podcast is a crucial reminder that at least one generation still has hope.
All too often we're thought of as apathetic, self-centered, and on a fast-track to failure, but California-natives Ari Andersen and Matthew Little are on a quest to prove that Millennials Don't Suck. At 22 episodes and counting, their titular podcast illuminates an alternative reality, one far closer to the truth. Recorded out of Andersen's home in East Los Angeles, he and Little seek out and exhibit the "community-driven content" that is both coming from and serving the world's diverse communities of young people."We think it's really important, now more than ever, to show that we're capable of having deep, introspective, meaningful conversations as 20-something-year-olds," Andersen tells Creators. In each episode, the guys explore the ins and outs of millennials' current work in everything from technology to politics to spirituality.
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Last-Minute Gifts That Give Back: A 2016 Holiday Buying Guide
COP22's International Youth Photo Competition reminds legislatures that climate change is everyone’s problem, encouraging comprehensive and inclusive action.
It’s hard to escape the social media echo chamber resonating with all the reasons 2016 was such a garbage fire, so we’ve put together a holiday gift guide that’s more soothing than simple retail therapy. Below is a compendium of last-minute gifts that offer more substantial comfort than the rush brought on by the swipe of a credit card. At best, these gifts offer aid to the increasingly targeted, and at the least, they’re far less hopeless than 2016. That, and they’re quick and easy, y'all who have put off shopping ‘til RIGHT NOW. That's always a plus.
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A Short History of Art World Potty Humor
The Guggenheim's golden toilet—called 'America'—is the latest in a long line of bathroom jokes.
Soon, the art world will celebrate the centennial of Marcel Duchamp’s (or should we say R. Mutt’s) urinal sculpture, Fountain. Despite its current status as an acclaimed and pivotal artwork, the ready-made installation was not initially received as such, called “indecent,”and decidedly not installed as part of a Grand Central Palace art show in 1917. Effectively censoring creative expression, the decision deemed that Fountain "may be a very useful object in its place, but its place is not in an art exhibition and it is, by no definition, a work of art.” A century later, classifying a urinal as incompatible with “a work of art” due to its presumed indecency is just as poignant as ever.
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